After
 more than 100 movies, plus stage roles and TV appearances too numerous 
to count, Anthony Hopkins, like that energetic battery hare, just keeps 
goin’ and goin’. One of his most pleasant recent roles is Burt Munro 
(1899-1978), the legendary speed bike racer from New Zealand who also 
kept goin’ and goin'. THE WORLD’S FASTEST INDIAN
 tells how, in the early '50s, the likeable if eccentric 67-year old 
finally realized his lifelong goal of speed-testing his then-46 year old
 “Indian” motorcycle at the Bonneville Salt Flats – and wound up setting
 an under-1000 cc world motorcycle land speed record, unbeaten to this 
day. Sure, the film is syrupy enough for pancakes, the number of lucky 
breaks and coincidences an assault on credulity, but who cares? – it's 
inspirational as all get-out. Munro defies the sour sentiment of Bette 
Davis' quote, "Old age isn't for sissies;" likewise, Hopkins, now older 
than Munro was when he clocked 200-plus mph at the Salt Flats, is still 
blessing us with one lovely performance after another. In this, he's 
simply wonderful, as is the large supporting cast of colorful characters
 Munro meets and who befriend him in his quest to be the best, although 
the script makes it clear, for this speed demon, speed was less 
important than never stopping – a lesson for all of us.
.
Tuesday, May 28, 2013
THE WORLD'S FASTEST INDIAN (2005)
After
 more than 100 movies, plus stage roles and TV appearances too numerous 
to count, Anthony Hopkins, like that energetic battery hare, just keeps 
goin’ and goin’. One of his most pleasant recent roles is Burt Munro 
(1899-1978), the legendary speed bike racer from New Zealand who also 
kept goin’ and goin'. THE WORLD’S FASTEST INDIAN
 tells how, in the early '50s, the likeable if eccentric 67-year old 
finally realized his lifelong goal of speed-testing his then-46 year old
 “Indian” motorcycle at the Bonneville Salt Flats – and wound up setting
 an under-1000 cc world motorcycle land speed record, unbeaten to this 
day. Sure, the film is syrupy enough for pancakes, the number of lucky 
breaks and coincidences an assault on credulity, but who cares? – it's 
inspirational as all get-out. Munro defies the sour sentiment of Bette 
Davis' quote, "Old age isn't for sissies;" likewise, Hopkins, now older 
than Munro was when he clocked 200-plus mph at the Salt Flats, is still 
blessing us with one lovely performance after another. In this, he's 
simply wonderful, as is the large supporting cast of colorful characters
 Munro meets and who befriend him in his quest to be the best, although 
the script makes it clear, for this speed demon, speed was less 
important than never stopping – a lesson for all of us.
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