1983 was the year of World War III – but thankfully, only on TV. In
THE DAY AFTER,
destruction, illness and death in the aftermath of a nuclear war rain
down upon small-town residents in Missouri (portrayed by, among others,
Jason Robards, John Lithgow and Steve Guttenberg). One of the most
chilling images in the film – besides the flame-tailed, nuclear
warheaded missiles rocketing from silos up over houses, churches and a
baseball field – is the simple disclaimer at the end warning that the
events depicted in the film, terrible as they are, are far less severe
than would be the real thing.
TESTAMENT
also deals with the effects of A-war in a small suburban town outside
San Francisco. The focus is on a widowed woman (Jane Alexander)
struggling to take care of her children. Though less graphic than THE
DAY AFTER, it too is filled with painful images and a sense of
hopelessness. Far more graphic and unsettling than either of these films
is
THREADS, an unblinking look,
docudrama style, at life and much death after World War III in a small
town in Britain, started, ironically, by military action in Iran. Far
more graphically than TESTAMENT and DAY AFTER, THREADS shows us the
fallout from fallout, focusing in retching detail on oft-undiscussed
issues as corpses, sanitation, disease, government breakdown, and much
more we'd rather not watch. But unpleasant as it might be to to watch,
these movies, it’s important to do so, for these films preach to us what
mankind is capable of causing - or averting. Especially now, with
sociopathic governments waving their A-bombs in the world’s face. (Watch
for a young Kevin Costner in a small but memorable role in TESTAMENT,
and be sure to read my reviews below of two other movies about nuclear
insanity, FAIL SAFE and ON THE BEACH.)
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