In
the dead of a freezing New York night, down and almost out novelist
Harry (Al Pacino) comes pounding on the apartment door of his best
friend, photographer Jake (Jerry Orbach). Harry is flat broke and begs
his friend to repay $500. But all Jake has is a jar of pennies. Worse,
he has not, he declares, read the draft of Harry's latest novel, a work
on which Harry's last hope is pitched. A long, sometimes funny, mostly
intensely dramatic dialogue ensues. Relentlessly, obsessively, the
desperate Harry probes his sardonic, world-weary friend until it’s
revealed that not only
has Jake read the work and found it to be a
thinly disguised account of their lives, loves and failures - which
enrages him - but he suspects it to have true commercial promise and
perhaps genuine artistic merit. Fiercely jealous, believing himself to
have potentially been the writer Harry has indeed become, Jake attempts
to destroy Harry’s confidence and his one chance to succeed. In the end,
Harry loses a friend but gains the courage to finish his book – for
while Jake wants to be a writer, Harry
has to be one. Pacino also
directed CHINESE COFFEE, and the screenplay is by Ira Lewis, who based
it on his own play, which in turn is based on his own life. Talky, but
great
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