As a leading man for all but the first three years of his film career starting in 1931, Randolph Scott
(1898-87) appeared in a variety of genres, including social dramas,
crime dramas, comedies, musicals (although not in singing or dancing
roles), adventure tales, war pictures, and even a few horror and fantasy
films. But by the time I discovered him in my pre-teens, he had already
settled into his most enduring image: the taciturn, tall-in-the-saddle,
Western hero in the Gary Cooper mold. Out of his 100+ films, more than
60 were in Oaters, many of them now cult favorites. Every time I see one
of his '50s or early '60s Budd Boetticher-directed Westerns like
SEVEN MEN FROM NOW (1956), or
RIDE LONESOME (1959), I'm reminded how much of a hero he was to me ... and still is. In his last film, Sam Peckinpah's
RIDE THE HIGH COUNTRY
(1962), he co-starred with Joel McCrea, another actor who had
transitioned into Oaters later in his career. As a young boy I saw Randy
in person in Fort Worth and thought I had gone to cowboy heaven.
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