In film noir, the best laid plans of rats and cons oft goes awry, as in Stanley Kubrick’s THE KILLING.
Fresh out of prison, Johnny Clay (Sterling Hayden) masterminds a
brilliant and complex scheme to heist $2 million from a local racetrace.
He and his cohorts make off with a duffle of bag of money, but Fate
intervenes in some nasty guises including one shrewish wife (Marie
Windsor) and her ruthless boyfriend (a pre-Dr. Ben Casey Vince Edwards);
an immutable airport regulation, and one small dog. Result: a hotel
room littered with bodies and a runway littered with fives, tens and
twenties. This is a really interesting plot, complex but thoroughly
engaging. Watch for some familiar noir faces, including Elisha Cook
(Sydney Greenstreet's wormy gunsel in THE MALTESE FALCON).
.
Tuesday, May 28, 2013
THE KILLING (1956)
In film noir, the best laid plans of rats and cons oft goes awry, as in Stanley Kubrick’s THE KILLING.
Fresh out of prison, Johnny Clay (Sterling Hayden) masterminds a
brilliant and complex scheme to heist $2 million from a local racetrace.
He and his cohorts make off with a duffle of bag of money, but Fate
intervenes in some nasty guises including one shrewish wife (Marie
Windsor) and her ruthless boyfriend (a pre-Dr. Ben Casey Vince Edwards);
an immutable airport regulation, and one small dog. Result: a hotel
room littered with bodies and a runway littered with fives, tens and
twenties. This is a really interesting plot, complex but thoroughly
engaging. Watch for some familiar noir faces, including Elisha Cook
(Sydney Greenstreet's wormy gunsel in THE MALTESE FALCON).
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