My introduction to David Mamet's unique style of writing and direction
was a very cool flick about the art of the con called HOUSE OF GAMES
(1987). If you like plots with twists and turns, you gotta see this
movie! My next Mamet experience was
OLEANNA, based on
the director’s own two-character play. I love dramatic pieces in which
characters reveal themselves through dialogue, and nobody’s dialogue is
more revealing, and at the same time enigmatic, than Mamet’s, especially
in OLEANNA. It’s about tha battle of wit and intellect between a
university professor John (William H. Macy) and a highly intelligent, articulate female student Carol
(Debra Eisenstadt) who is failing his class. Following a series of
conversations in the professor’s office which go from harmless to
brutal, Carol files charges against John, including sexual harassment,
thus wrecking his chance for tenure. This forces the distraught
professor to go on a brutal offensive, which leada to a shattering finale. The final six-word exchange is pure
Mamet: (John) “Oh, my God.” (Carol) “Yes, that's right.” (Trivia note:
The woman singing over the end credits is Mamet's wife, Rebecca Pidgeon,
who originated the role of Carol on stage alongside Macy, and co-stars in several of her spouse's films, including HOMICIDE, THE
SPANISH PRISONER and Samuel Beckett's CATASTROPHE.)
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