Both versions of the classic jury room drama
12 ANGRY MEN
are top-notch and full of suspense, despite the fact there's basically
only one set, no sex or violence, and not one single special effect.
Twelve male jurors, clearly mirroring a cross-section of society, must determine
the guilt or innocence of a young Latino accused of killing his father.
Eleven of the men are positive it's an open-and-shut case of guilt. But
one man (Henry Fonda in '57, Jack Lemmon in '97) isn't sure; and over
the course of a steamy day and into the rainy night, turning each piece
of evidence inside and out and introducing some of his own, he finally
convinces all but one of his fellow jurors of reasonable doubt. It is a
powerful moment when these 11 men voting for acquittal stare at the lone
holdout for conviction, which is exactly how the day started – in
reverse.
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